Download Sajan Re Jhoot Mat Bolo..teesri Kasam,1966_remembering Shailendra..a Tribute.
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  • Uploaded on 30 Agu 2017

    Song : sajan re jhoot mat bolo,khuda ke pas jana hai..
    Film : Teesri Kasam,1966.
    Singer: Mukesh,
    Lyricist: Shailendra,
    Music Director: Shankar Jaikishan,
    Director: Basu Bhattacharya,
    Cast: Raj Kapoor,Waheeda Rehman,Iftekhar,Asit Sen,Dulari,Dubey,Krishan Dhawan,
    Producer : Shailendra,
    Production Co: Image Makers,
    Lyrics :-
    sajan re jhoot mat bolo,
    khudaa ke pas jaanaa hai
    na haathi hai naa ghodaa hai,
    wahaan paidal hi jaanaa hai
    sajan re jhoot mat bolo,
    khudaa ke paas jaanaa hai
    na haathi hai naa ghodaa hai,
    wahaan paidal hi jaanaa hai
    sajan re jhoot mat bolo

    tumhaare mahal chaubaare,
    yahin rah jaayenge saare
    tumhaare mahal chaubaare,
    yahin rah jaayenge saare
    akad kis baat ki pyaare
    akad kis baat ki pyaare,
    ye sar phir bhi jhukaanaa hai
    sajan re jhoot mat bolo,
    khudaa ke paas jaanaa hai

    bhalaa keejai bhalaa hogaa,
    buraa keejai buraa hogaa
    bhalaa keejai bhalaa hogaa,
    buraa keejai buraa hogaa
    bahi likh likh ke kyaa hogaa
    bahi likh likh ke kyaa hogaa,
    yahin sab kuchh chukaanaa hai
    sajan re jhoot mat bolo,
    khudaa ke paas jaanaa hai

    ladakpan khel mein khoyaa,
    jawaani neend bhar soyaa
    ladakpan khel mein khoyaa,
    jawaani neend bhar soyaa
    budhaapaa dekh kar royaa
    budhaapaa dekh kar royaa,
    wahi kissaa puraanaa hai
    sajan re jhoot mat bolo,
    khudaa ke paas jaanaa hai
    na haathi hai naa ghodaa hai,
    wahaan paidal hi jaanaa hai
    sajan re jhoot mat bolo,
    khudaa ke pas jaanaa hai..

    A naive bullock-cart driver falls for a traveling courtesan.
    Storyline:-
    After nearly getting arrested, Hiraman[Raj Kapoor] promises to himself that he will never assist any black-marketeer nor transport bamboo. This incident does cost him his bullock-cart but he did manage to get his two oxen away in time. He manages to save enough money to buy another cart, and is hired to take a female on a 30-hour ride to a Mela. He subsequently finds that his passenger is an attractive woman, Hira Bai [Waheeda Rehman], and he falls in love with her - little knowing that she is a traveling courtesan - and it is this attraction that will get him into a physical altercation as well as in the bad books of Thakur Vikram Singh. Written by rAjOo
    Did You Know?
    This was the first film produced by song writer Shailendra and it is said that because of this film which caused Shailendra's death.
    1967 National Film Award for Best Feature Film
    1967 Moscow International Film Festival: Grand Prix - Nominated
    Production:-
    Phanishwarnath Renu who wrote the original short story, Mare Gaye Gulfam, in 1954, also wrote the script. The screenplay was written by Nabendu Ghosh, whose works include Devdas (1955), Sujata (1959) and Bandini (1963). Basu Bhattacharya directed the film with a sense of realism and a natural style. He felt it was important for the film that Raj Kapoor should avoid his usual "simple man" mannerisms.
    The film took many years to complete. Most of the film was made at Aurahi Hingna, a village in Araria district and Bina, a town near Bhopal, Madhya Pradesh. A few scenes were filmed at Powai Lake and at the Mohan Studios in Mumbai. Subrata Mitra, the cinematographer on Satyajit Ray's early films, had moved to Mumbai for a brief period to make Merchant Ivory films. The theatre actor, A. K. Hangal, knew Shailender from IPTA theatre group days, and agreed to play the small role of Hiraman's elder brother. However eventually much of his role was deleted in the final editing to reduce the length of the film
    The film was received well and took the National Film Award for Best Feature Film, however, commercially, it was a failure. Bhattacharya turned to middle cinema (a meeting of mainstream Bollywood and art house cinema). In time, the film came to be regarded as a classic.
    Both leads received acclaim for their acting, while critics felt Raj Kapoor delivered one of the most sensitive performances of his career, after Jagte Raho (1956).
    It is also included as an chapter by CBSE

    Channel mastkalandr

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